Editorial

Journal

Essays on the craft and theory behind the work.

11 April 20267 min

How to choose a fine art print for your home

The first fine art print to enter your home is not just another picture: it changes the way you inhabit a space. A practical guide to format, light, subject and edition, no fluff.

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30 April 20266 min

Contemporary sacred photography: the language of silence

Contemporary sacred photography is no longer iconography. It is a practice of removal: of silence, of the face as threshold, of the light that precedes language. Working notes.

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8 May 20266 min

What is Digigraphie: Epson’s certified fine art print process

Digigraphie was created by Epson in 2003 as the certified standard for limited-edition fine art prints: pigment inks, museum-grade paper, numbered certificates. Here’s why every work in my catalogue is produced this way.

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30 May 20265 min

Contemporary photography: what remains when everyone shoots

Every day the world produces billions of photographs. Almost none will be looked at twice. For years I have asked myself what it means, today, to call yourself a photographer. The answer is not in the shot. It is in the gaze.

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6 August 20267 min

Photography and artificial intelligence: a lens, not a button

Ever since I started using artificial intelligence, people ask me the same question: did you make it, or did the machine? It's the wrong question. The right one is different — and it has the same answer it had thirty years ago.

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The studio letter

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